Towards wild routes, stripping ourselves of the material.

Towards wild routes, stripping ourselves of the material. [url=https://www.rxshopmd.com/products/antinarcoleptic/buy-modafinil-modalert/]is modafinil legal in us[/url] п»ї<title>Towards wild routes, stripping ourselves of the material.</title> [IMG]https://lamenteesmaravillosa.com/wp-content/uploads/2018/06/christopher-pelicula-hacia-rutas-salvajes.jpg[/IMG] Why choose to live like a beggar when you have everything? Why give up all the luxuries and comforts to live like a savage? Perhaps, quite simply, you want to live, in the truest sense of the word. To be alive, to eat so as not to die, to feel part of nature, to forget what is established in society, to be free... That is what is proposed to us by Towards Wild Routes, a 2007 film directed by Sean Penn. The film is inspired by the work of the same name by Jon Krakauer which, in turn, hides a true story: that of Christopher McCandless. McCandless was a young man originally from Virginia and belonging to an upper-middle class family, he spent an affluent childhood, living with his parents; although the reality was that, behind the appearances of a model family, arguments were more than frequent. McCandless was a young man who excelled in his studies from a very early age, he graduated in anthropology and history and always showed an enormous taste for reading. Some of his favorite authors were Tolstoy and Thoureau, authors that inspired him and led him to make the most radical decision of his life. Tired of living in a world of appearances, of always doing what he was "supposed to do", of living in an absolutely materialistic world and of having to follow the rules, he decided to leave everything behind, donate all his savings to charity and set out on a solo journey, with nothing but his backpack and a few belongings. McCandless wanted to experience the state of absolute freedom, to return to that animal state that we no longer see in men, to live being part of nature. The route was not easy, but it was he who drew his own path. This romantic vision of life, of nature and of our wildest side made McCandless a kind of hero of legends, a figure that fed the popular folklore of the 20th century in the United States. However, behind the legend, there is always a possible darker truth... and to his legion of admirers, there was a detractor side that demystified this modern hero and his exploits. Towards Wild Routes presents us with a softer vision of this character, as a compilation of legends narrated by his sister and by McCandless himself. We witness a journey through inhospitable places, through fascinating trails, but we also fall into the darkest of the big cities... "I went to the woods because I wanted to live deliberately; to face only the facts of life and see if I could learn what it had to teach. I wanted to live deeply and discard everything that was not life...so that I would not realize, at the moment of death, that I had not lived." -Henry David Thoureau Christopher McCandles FreedomCan we be free in a world full of obligations, of impositions? We can speak of social freedom, political freedom, freedom of expression... of a freedom that, in the end, is limited. Can we speak of freedom if there are limits? Freedom, in its strictest sense, should not be subject to any limitation, therefore, the concept of freedom that we currently have has been molded, adapted; when we think of freedom, we think of a freedom subject to something, for example, social freedom, whose limits are given by laws and morality. McCandless felt that he had never been free, that everything he had done in his life was what was expected of him. Society binds us, forces us to follow certain rules: study, work, buy a house with the money you have earned working... Everything linked to material things. The university degree, rather than an adventure towards learning, is sometimes taken as a symbol of status, of power, of "being someone". In turn, that degree opens the door to getting a job, the objective of which is to obtain money to buy material things that "will make us happy". McCandless enjoyed learning, he really enjoyed studying, but he didn't see it as a goal or as an object he wanted to possess, the degree mattered little to him. His family, however, celebrated it as a great accomplishment, as something to which every "good son" should aspire. But, to McCandless, it was nothing more than a bondage, an impediment to his quest for freedom. This young man decided to put his own utopia into practice, to give up everything to be free, he didn't mind facing extreme conditions, sleeping in the street or hunting to be able to feed himself. He wanted to be like those wild animals that live according to nature (and nature's own rules); he wanted to experience, in short, the ultimate freedom. Something that, for most humans, is nothing more than a daydream, a utopia... but for McCandless, it was an attainable goal. Into the wilderness, the mythificationAs if it were a hero's journey, Into the wilderness shows us the path, the evolution of the character and the search for freedom. The people who knew McCandless' journey fed the legend and, little by little, it became a myth; something that, in our time, seems quite complicated, since new technologies have taken over our lives, making orality and legends a thing of the past. Heroes, in general, feel a first call to undertake the journey, they perform feats and, at some point, the adversities will be so hard that will make the hero consider giving up. Later, something will happen (supernatural or not) that will make him regain faith and continue his journey. McCandless became a kind of modern hero with his journey, a figure worthy of being mythologized. Surely, many of his exploits were exaggerated, distorted and even degraded, all of which made McCandless a myth, everyone had heard of him, and when he was found dead, his story was reinforced. His death contributed greatly to the creation of the myth. The struggle for idealsMcCandless became utopia, the personification of the struggle for ideals. Into Wild Routes brings us hope, the enjoyment of nature in its purest state, the overcoming of adversity and, above all, a respite. A respite from our routine, from our monotonous life in which you are what you have, in which the material reigns and we have forgotten that we are all mortals who are simply living. McCandless knew how to capture this essence, to live for the sake of living, nothing more; to enjoy what nature gives us, even if it becomes dark and hard. In the film, the city is presented as the locus terribilis, the place where it does not belong, the place where those who do not want to follow the rules are cast aside and condemned to live in absolute misery. Nature, on the other hand, is the locus amoenus, the idyllic place where the man who has renounced the material needs nothing else. In the city, McCandless goes to a hostel, in search of the comfort of a bed that he ends up rejecting; despite the harsh weather conditions offered by the wildest nature, anything is better than living in the darkest part of the city. Because there is no place there for people like him, there is no place for his utopia and everything is bought with money. And surely the version proposed by Hacia rutas salvajes is sweetened and is designed to continue feeding the figure of the hero, but it achieves its goal. He manages to make us wake up a little from that unreal world we are slaves to, he manages to make us want to get out of the routine, out of the comfort zone and, as much as possible, to seek freedom. "Freedom and simple beauty are too good to pass up." -To Wild Routes You might be interested in... 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